KRYOLAN AquaColour
This formula was a palette that needed water added to it to create a good consistency to the face. We found that as a group the base looked patchy, uneven, and tended to dry the skin out.
KRYOLAN Fox SuperColour
The constistency for this pallette wasn't much better than the aqua colour palette. I found that whilst experimenting with these two in particular I didn't like the drying effect; instead I wanted the models face to look smooth a dewy. This did not create this look for me.
ILLAMASQUA Skin Base
A very clever pigmented base that can be mixed with foundations to lighten them or used on it's own. This was my favourite base and I have chosen to use it for future practises and for my final design. I really loved how it looked.
I practised my skin base on Hana. I used Kryolan AquaColour in white and applied it with a flat foundation brush. I then used a light translucent powder over it and buffed it in with a buffing brush - the overall effect wasn't how I'd imagined as it was patchy and drying. I wanted to test it however, because it provides a more opaque base than Illamasqua's skin base. Here are the results:
As you can see, the base is very opaque but does not have a flawless finish. I used one colour - (peachy/pink) to define certain areas but used no other make up other than that. The finished result was simple so next time I am going to be more adventurous and do something a little bit wilder; however, I do like the neatness of the eyes and the harsh lines. They suit the era very well because Elizabethan women weren't over the top, they stuck to a blushed cheek and lips, so I did blush contour and lips, and then a pink lid. I didn't white out the lashes and brows because I still wanted this simple look to have a modern feel to it.
Products used in these photos:
- Kryolan Aquacolour
- Kryolan eyeshadow palette (BRIGHT)
Brushes used:
- Kryolan foundation brush
- Kryolan Kabuki brush
- Kryolan powder brush
- Kryolan eyeshadow brush

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